Across his contributions to Film Comment and other publications, and his programming as the Curatorial Director of the Criterion Collection, Ashley Clark has established himself as one of the smartest, sharpest taste-makers in the film scene in New York and beyond—particularly through his championing of underseen films by people of color. So we were very excited by the announcement of his new book, The World of Black Film, which comes out this week. The beautifully designed volume is a historical survey of a hundred significant films made by Black filmmakers or centering Black life. It adopts a rigorously critical and curatorial approach, taking care to define what a “Black cinema” can mean, and assembling a series of titles, accompanied by deft appreciations, that capture its breadth, depth, and diversity.
Film Comment Editor Devika Girish invited Ashley on the Podcast to discuss his methods in researching and shortlisting films, titles that he discovered while writing the book, and what it meant for him to have legendary Black filmmaker Sir John Akomfrah write the book’s introduction.
